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Sur les hauteurs de Liège, à l'extrémité occidentale de la colline du Publémont, se dresse l'église Saint-Gilles. Édifiée au XIIe siècle, cette ancienne abbatiale a connu de nombreuses transformations au cours du temps, en particulier au XVIIIe siècle et durant les années 1890. Son architecture a néanmoins conservé des témoins significatifs du passé. Son étude, combinée à l'examen des sources écrites et iconographiques, permet de retracer l'évolution architecturale de cette église qui allie aujourd'hui harmonieusement les styles roman et néo-roman. Ce Carnet du Patrimoine s'intéresse également au patrimoine mobilier de l'édifice qui, nous espérons en convaincre nos lecteurs, gagne à être connu !

Church architecture --- Church decoration and ornament --- Architecture, Romanesque --- Architecture chrétienne --- Eglises --- Architecture romane --- Décoration et ornement --- Liège (Belgium) --- Liège (Belgique) --- Church history --- Histoire religieuse --- Architecture chrétienne --- Décoration et ornement --- Liège (Belgium) --- Liège (Belgique)

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Du concile de Trente (1545- 1563) à la Révolution française, les cathédrales de France connaissent le plus important mouvement de transformation de leurs aménagements : remplacement des autels médiévaux, démolition des jubés, bouleversement des chœurs des chanoines, tels sont les éléments les plus connus de ces «travaux et embellissements». Les œuvres nouvelles alors installées baldaquins, gloires, boiseries introduisent à la fois l'esprit post-tridentin et l'art des XVIIe et XVIIIe siècles au cœur des sanctuaires médiévaux. Répandue à travers l'Europe de la Contre-réforme, l'installation de ces dispositifs s est opérée en France dans le contexte particulier des traditions liturgiques gallicanes, farouchement défendues par les puissants chapitres des cathédrales. Lancées essentiellement au XVIIIe siècle, après une longue période de maturation, les transformations de l'espace sacré des cathédrales montrent comment le clergé de France a su proposer un cadre adapté à une Contre-réforme qui soit une expression authentique du génie national. L'étude des «travaux et embellissements» effectués dans l'ensemble des cathédrales de France, ainsi que la réunion d'une iconographie presque exhaustive sur le sujet, permettent de porter un regard nouveau sur les trois siècles souvent oubliés de l'histoire des cathédrales, «l'autre temps des cathédrales », qui sont pourtant le trait d'union essentiel entre les grands chantiers du Moyen Âge et les restaurations de l époque contemporaine.

Cathedrals --- Church architecture --- Christian art and symbolism --- Church decoration and ornament --- Counter-Reformation in art --- Cathédrales --- Architecture chrétienne --- Art et symbolisme chrétiens --- Eglises --- Contre-Réforme dans l'art --- Conservation and restoration --- History --- Conservation et restauration --- Histoire --- Décoration et ornement --- Architecture, Medieval --- Catholic church buildings --- Architecture religieuse --- Baroque --- Bâtiment culturel --- Cathédrale --- Christianisme --- Pratique architecturale --- Royaume-Uni --- Christian history - Cathedrals - 16th-18th centuries - Architecture --- Cathédrales --- Architecture chrétienne --- Art et symbolisme chrétiens --- Contre-Réforme dans l'art --- Décoration et ornement --- History. --- Cathedrals - France - History --- Cathedrals - France - Conservation and restoration - History --- Architecture, Medieval - France - Conservation and restoration - History --- Christian art and symbolism - France - Modern period, 1500 --- -Church decoration and ornament - France - History --- Catholic church buildings - France

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In the sixteenth century, the people of England witnessed the physical transformation of their most valued buildings: their parish churches. This is the first ever full-scale investigation of the dramatic changes experienced by the English parish church during the English Reformation. By drawing on a wealth of documentary evidence, including court records, wills and church wardens' accounts, and by examining the material remains themselves - such as screens, fonts, paintings, monuments, windows and other artefacts - found in churches today, Robert Whiting reveals how, why and by whom these ancient buildings were transformed. He explores the reasons why Catholics revered the artefacts found in churches as well as why these objects became the subject of Protestant suspicion and hatred in subsequent years. This richly illustrated account sheds new light on the acts of destruction as well as the acts of creation that accompanied religious change over the course of the 'long' Reformation.

History of the United Kingdom and Ireland --- Religious architecture --- Christian church history --- anno 1500-1599 --- Church architecture --- Church buildings --- Church decoration and ornament --- Symbolism in architecture --- Architecture and society --- Architecture chrétienne --- Eglises --- Symbolisme en architecture --- Architecture et société --- History --- Décoration et ornement --- Histoire --- England --- Angleterre --- Church history --- Histoire religieuse --- Architecture chrétienne --- Architecture et société --- Décoration et ornement --- Architecture --- Architecture and sociology --- Society and architecture --- Sociology and architecture --- Architectural symbolism --- Signs and symbols in architecture --- Church ornament --- Ecclesiastical decoration and ornament --- Decoration and ornament --- Interior decoration --- Religious articles --- Christian art and symbolism --- Social aspects --- Human factors --- Arts and Humanities

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Christian special devotions --- Ursula [s.] --- anno 1200-1499 --- Europe --- Christian women saints --- Christian art and symbolism --- Reliquaries, Gothic --- Relics --- Saintes chrétiennes --- Art et symbolisme chrétiens --- Reliquaires gothiques --- Reliques --- Cult --- Culte --- Ursula, --- Eleven Thousand Virgins (Legendary saints) in art --- Eleven Thousand Virgins (Legendary saints) --- Eleven Thousand Virgins (Legendary saints) in art. --- Reliquaries, Gothic. --- 235.3 URSULA --- 248-055.2 --- 248 "04/14" --- Hagiografie--URSULA --- Vrouwen en spiritualiteit --- Spiritualiteit. Ascese. Mystiek. Vroomheid--Middeleeuwen --- 248-055.2 Vrouwen en spiritualiteit --- Saintes chrétiennes --- Art et symbolisme chrétiens --- Gothic reliquaries --- Relics and reliquaries, Gothic --- Relics and reliquaries --- Bones --- Religious articles --- 11,000 Virgins (Legendary saints) --- Holy Virgins of Cologne (Legendary saints) --- Christian martyrs --- Christian saints --- Legends --- Christian saints, Women --- Women Christian saints --- Women saints --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Orsola, --- Symbolism in art --- Christian women saints - Cult - Europe --- Christian art and symbolism - Europe - Medieval, 500-1500 --- Relics - Europe --- Ursula et soc. vv. mm. --- Ursula, - Saint - Art --- Ursula, - Saint - Cult - Europe --- Ursula, - Saint - Relics - Europe --- Ursule (sainte ; 02..-02..) --- Onze mille vierges --- Moyen Age --- Ursula, - Saint